Canon Eos Rebel Sl2 Digital Slr Camera Review

Our Verdict

If compactness matters nigh and you're willing to pay a premium for it, the 200D is certainly a more powerful and desirable camera than its predecessor. It would be platonic for beginners and for travel photography.

For

  • Vari-angle touchscreen
  • Excellent Dual Pixel alive view AF
  • New 18-55mm STM lens

Against

  • Just ix AF points for viewfinder shooting
  • You're paying for compactness
  • Size reward reduced

Digital Camera World Verdict

If firmness matters most and you lot're willing to pay a premium for it, the 200D is certainly a more powerful and desirable camera than its predecessor. It would exist ideal for beginners and for travel photography.

Pros

  • +

    Vari-angle touchscreen

  • +

    Splendid Dual Pixel alive view AF

  • +

    New 18-55mm STM lens

Cons

  • -

    Only 9 AF points for viewfinder shooting

  • -

    You're paying for compactness

  • -

    Size advantage reduced

UPDATED 12/04/2019: Canon has launced a new and more advanced EOS 250D/Rebel SL3, but the EOS 200D/Rebel SL2 remains on auction is one of the all-time cheap cameras you tin can go.

At its heart is a new 24.2MP sensor and cut-edge DIGIC 7 image processor, upping the maximum sensitivity to ISO 51,200 in expanded style and boosting burst capture from 4fps to 5fps, though video recording still maxes out at full Hd 1080p. Information technology comes with Wi-Fi, NFC and Bluetooth congenital in, and photographers new to DSLR shooting will capeesh Canon's guided shooting manner. Information technology'due south and so user-friendly, we don't just think it's the best Canon camera for beginners, nosotros've included it in our all-time cameras for kids guide.

The EOS 200D/Rebel SL2 gets a vari-angle screen, though this does bump up the bulk slightly.

The EOS 200D/Rebel SL2 gets a vari-angle screen, though this does bump up the bulk slightly.

Canon's new 18-55mm STM lens is neat, fast to focus and delivers good performance.

Canon's new 18-55mm STM lens is dandy, fast to focus and delivers good performance.

Don't fancy it in black? The EOS 200D/Rebel SL2 also comes in white and a two-tone tan and silver.

Don't fancy information technology in blackness? The EOS 200D/Rebel SL2 also comes in white and a two-tone tan and silver.

Build & treatment

Ane of the 200D's nearly obvious new features is its articulating screen, merely tech similar this adds bulk, so it's non surprising that the 200D is fractionally larger than its predecessor and 46g heavier. Information technology's still noticeably more compact than Canon'southward other new entry-level beginners photographic camera, the 800D, though, if a little less ergonomic. The 200D's grip is relatively cramped if your paws are on the large side, and there isn't much space to rest your thumb.

A deeper grip gives you more to grab hold of, but the EOS 200D/Rebel SL2's size does have an impact on its handling.

A deeper grip gives you lot more to grab agree of, but the EOS 200D/Insubordinate SL2'southward size does accept an bear on on its handling.

Your thumb is ideally positioned to operate the redesigned power switch though, while pleasantly responsive touch-screen controls assistance compensate for the relatively fiddly rear directional pad. The brandish itself is also a pleasure to view, with excellent viewing angles, brightness and colour accuracy.

Performance

The combination of Canon'south Dual Pixel AF and the stepping motor in Catechism's new 18-55mm STM kit lens provides nigh-instantaneous focussing in good light, with merely a half-second break and no focus hunting in dimmer conditions. Focussing is also impressively rapid in Live View, and the STM kit lens delivers silent focus transitions during video capture, albeit with around a two-second lag when refocusing betwixt near and far focal points.

Unfortunately, in regular viewfinder shoting, having only nine phase-detect AF points that cover a limited frame area makes information technology catchy to lock onto specific points in a composition, though you lot do go 49 contrast-notice focus points if y'all switch to Live View.

Image 1 of 4

With only 9 focus points, it was tough to ensure the topmost point of this flower was in focus.

With only 9 focus points, it was tough to ensure the topmost indicate of this blossom was in focus.

Epitome 2 of 4

Punchy colour reproduction and accurate exposure metering help bring this shot to life.

Punchy color reproduction and authentic exposure metering assistance bring this shot to life.

Image 3 of iv

Snapped at ISO 1600, there's very little sign of image degradation and dynamic range is good.

Snapped at ISO 1600, there's very niggling sign of paradigm degradation and dynamic range is good.

Prototype 4 of 4

In Live View mode, the 49 autofocus points cover a much wider area, making it much easier to focus on off-centre subjects.

In Live View mode, the 49 autofocus points cover a much wider area, making information technology much easier to focus on off-heart subjects.

Canon'south 24.2MP sensor produces attractive images with good colours and dynamic range at lower sensitivities. Go past ISO 3200, though, and highlights are prone to burning out, but noise is very well controlled, and images taken at ISO 12800 are very usable, providing you accept some fine detail loss. The eighteen-55mm IS STM kit lens also puts in a solid operation, being sharp right into the corners of frame, while the 200D's congenital-in lens abnormality correction successfully eliminates fringing in JPEG images.

PhotoPlus: The Canon Magazine is the globe's only 100% Canon-focused championship on the newsstand. Launched in 2007, for fourteen years it has delivered news, reviews, buying guides, features, inspirational projects and tutorials on cameras, lenses, tripods, gimbals, filters, lighting and all manner of photography equipment.

Aimed squarely at enthusiast photographers who use the Canon DSLR or mirrorless photographic camera systems, all content is tailored to Canon users – so everything from techniques to product tests are tailored to those using the EOS photographic camera system.

Editor Peter Travers brings xiv years of experience every bit both a journalist and professional photographer, with Technique Editor Dan Mold shoring upwardly the mag with his half-dozen years of expertise.

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Source: https://www.digitalcameraworld.com/reviews/canon-eos-200d-rebel-sl2-review

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