The Cleveland Museum of Art Who Made the Cleveland Museum of Art
The CLEVELAND MUSEUM OF Art is acknowledged every bit one of the finest art museums in the U.S. Its collections, facilities, and programs accept an international reputation. The museum, incorporated in 1913 and opened to the public on 6 June 1916, was made possible past HINMAN B. HURLBUT, JOHN HUNTINGTON, and HORACE KELLEY, all of whom had bequeathed money specifically for an fine art museum, as well every bit by JEPTHA H. WADE I, whose WADE PARK property had been donated in office for the site of such a facility. The Neoclassic edifice of white Georgian marble that formed the original museum was designed by the Cleveland firm of HUBBELL & BENES and constructed at a cost of $1.25 million. During the tenure of FREDERIC ALLEN WHITING as the CMA's get-go director (1913-30), a number of local families, including the Allens, Holdens, Huntingtons, Hurlbuts, Nortons, Warners, Severances, and Wades, contributed works of art to the growing facility. In 1919 the first Annual Exhibition of Cleveland Artists & Craftsmen was held. It subsequently became known as the MAY Bear witness. WM. Chiliad. MILLIKEN served as 2d director from 1930-58. During the 1940s and 1950s, a series of large bequests, including the Rogers Bequest and the Severance Fund, allowed the CMA to purchase works and build its collections on a regular ground.
In 1958, three important events occurred in the museum's history. On March 4, 1958, the CMA's kickoff add-on was completed, doubling its size and enclosing its outdoor garden courtroom. During that year the CMA too received the sizable LEONARD C. HANNA, JR., heritance, which provided the funds necessary to function in the mainstream of international art collecting, and Sherman Emery Lee became the museum'south tertiary director. Lee was primarily responsible for the development of the museum's Asian art collection, which ranks as one of the finest in the state. Another wing was opened in 1971, containing special exhibition galleries, classrooms, lecture halls, and the education department. A 3rd add-on to adjust the museum'southward all-encompassing library, as well every bit 9 new galleries, was completed during the tenure of the fourth manager, Evan Hopkins Turner. Under Turner (1983-93), the CMA celebrated its 75th ceremony with shows on Japan, Picasso, and Arab republic of egypt. While it began charging admission to certain special exhibitions in 1992, information technology maintained its traditional policy of costless admission to the permanent collection. Robert P. Bergman became the museum'southward fifth director in 1993.
The museum's attendance increased notably after 1995 with the introduction of nationally touring commercial exhibits such every bit Pharaohs: Treasures of Egptian Art from the Louvre (1995) and Vatican Treasures: Early Christian, Renaissance and Baroque Art from the Papal Collections (1998). Under manager Robert Bergman (1993-1999), the CMA strenthened its photography drove, every bit well as its holdings in Indian and Southeast Asian, Early American and medieval art and artifacts. Past the early on 2000s the museum's exhibitions also had come to include more gimmicky artwork such as modern sculpture, projected images, digital art, and installation pieces.
In Oct 2005 the CMA began the 4th and largest expansion project in its history. Designed past Uruguayan builder Rafael Vinoly, the renovation would increase gallery space substantially by reconstructing the museum'southward east and due west wings. The renovation mandated that much of the museum's permanent collection be placed in storage. For much of 2006, CMA's University Circle facilities were closed entirely to the public. The largest financial contributions to the renovation project, scheduled for completion in 2011, came from the GEORGE GUND FOUNDATION and the State of Ohio.
Following the retirement in 2005 of Katherine Lee Reed, the museum's sixth director (2000-2005), Timothy Rub of the Cincinnati Museum of Art was chosen every bit the CMA's new CEO and managing director.
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Cleveland Museum of Art Archives, Cleveland Museum of Art.
Wittke, Carl. The First Fifty Years: A History of the Cleveland Museum of Art From 1916-1966 (1966).
Leedy, Walter C. Cleveland Builds an Art Museum: Patronage, Politics, and Architecture, 1884-1916 (1991).
Witchey, Holly Rarick. Fine Arts in Cleveland: An Illustrated History (1994).
Source: https://case.edu/ech/articles/c/cleveland-museum-art
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